Historical Fiction and Historical Fantasy: A Question of Genres by Catherine Hokin

October 21, 2018 0 Comments A+ a-

This is a slightly different blog this month, a picking-all-your-brains exercise if you will. I've been asked to be the historical fiction voice in a discussion about the differences/overlaps and, who knows, clashing points between historical fiction and historical fantasy and I'd love your help. Actually I'm desperate.

 Tom Gauld, The New Yorker 2016
Trying to get an historical novelist to pinpoint  the bit of this widespread genre we all write in can feel a bit like a trip to the pick and mix counter. As authors we want to sell our books so the temptation is to try and slot our work into as many sectors as possible - it's historical yes, but it's also got a crime and a bit of a romance and it's got these great sweeping themes of loss and guilt and... Booksellers and publishers also want to sell books (not necessarily the same ones as us but that's a different post). They, however, take the opposite approach, and want neat pigeonholes which signpost readers in a clear direction. To keep them happy, your historical crime-busting romance needs to pick one category and stay there.

The point is that the genre historical fiction covers, and doesn't cover (bear with me) a lot of ground. Obviously the story has to be set in the past but even that is open to interpretation - the period has to be fifty years ago or more according to the Historical Writers' Association but only thirty for the Historical Novel Society. However, even if a novel fits that criteria, it may not be counted as historical. Joanna Cannon's The Trouble With Goats and Sheep is set in the 1970s and therefore, by the HNS definition, is an historical novel. It wasn't marketed that way but to anyone under 35 it's evocation of the period would surely feel that way. So perhaps it's a question of perspective, or life lived. Author Emma Darwin has talked about a period passing out of adult living memory for it to be counted as historical. She also suggests we consider historical novels as being a marker of historical change, not in the sense of  there being different "haircuts and menus" but "hearts and minds." There is also the question of what "counts" in our examining of the past. For some commentators, historical novels must deal with real events and real people, with all the problems of privilege this brings. For others it is the previously unheard voices that need to be brought to light. 

 The Daily Snooze
Add up all that and then throw the word literary into the mix and the whole thing gets even more complicated - Hilary Mantel's Wolf Hall was definitely historical but also, according to those who decide such things, definitely literary. A category Philippa Gregory's The Other Boleyn Girl, which was a huge commercial hit, would never find itself slotted into. And should we even care?

So, if defining historical fiction is complicated, what about historical fantasy? The accepted definition (yes, Wikipedia but I also asked some people who know) is the addition to an historically-based (and Earth-based) story of an element which comes from outside reality - vampires, werewolves, dragons and magic, that kind of thing. All very straightforward: something like Jane Eyre and Zombies is an obvious fit, as is Game of Thrones (let's not even talk about the people who don't believe that statement). But what about Susanna Clarke's Jonathan Strange and Mr Norrell? Or stories that cross into Arthurian myths or Celtic legends and relate them to actual events? Where do the boundaries start to blur? What about time-slip novels? Or novels set in a period when things we can now explain through science were considered as witchcraft or magic? If a medieval character firmly believes an illness or misfortune was caused by a demon and the novel follows this line of thought through, is that historical fantasy or historical realism? What about if your preacher sees angels? Or your healer sees ghosts? And where oh where do we put Lincoln in the Bardo? Real events, real people, contemporary texts quoted - and a whole cast of ghosts. Is that where we throw in the towel and just call it literary?

Readers, my head is exploding which I think puts me firmly into the fantasy genre. While I go off and harness a dragon, please send me your thoughts.