Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts

The lifeline of libraries in an age of loneliness by Fay Bound Alberti

On Twitter this week, the writer Neil Gaiman responded to the debate on libraries’ decline. Rejecting claims that libraries were obsolete, he suggested that they are actually “more relevant and useful than they were 30 years ago”. He’s right, and not only because libraries lend books. 

Libraries have political, social, emotional and educational relevance. Their history is long and complex. The earliest libraries, based on cuneiform script on clay tablets, date back to 2600 BCE. They recorded mostly business transactions and inventories of goods. Over 30,000 clay tablets from the 2600 year old Library of Ashurbanipal remind us that the Middle East was, for centuries, a global centre of knowledge and education in medicine, art and culture. 

In the sixth century, the great libraries of the Mediterranean world were Constantinople and Alexandria. Egypt's Library of Alexandria is the most famous library of Classical antiquity. Dedicated to the Muses, the nine goddesses of the arts, the library was patronised by the Ptolemaic dynasty and a global site of scholarship from the 3rd century BC until the Roman Conquest. Filled with papyrus scrolls, the Library is most famous now for having burned down, resulting in a devastating loss of treasures. 


The Library of Alexandria
In the ancient world, libraries were a means to announce power, status, identity and civic pride; the same drive that was behind the expansion of libraries in the Enlightenment West. This so-called golden age of libraries saw many important European libraries being founded. The British Library was established in 1753 and Chetham's Library in Manchester, said to be the oldest public library in the English-speaking world, opened in 1653. The Mazarine Library and the Bibliothèque Sainte-Geneviève were also founded in Paris and the Austrian National Library in Vienna. 

An aisle of Chetham's Library, Manchester

The principal of libraries being open to the public was increasingly commonplace, reflecting their educational and civil status. Knowledge mattered; to be seen to be knowledgable arguably mattered more. Where once libraries open to the public had chained their books to the desks, the principle of lending libraries provided a means for people to carry that learning into their own homes, providing they had enough literary, space and leisure time. 

The Public Libraries Act of 1850 gave local boroughs the power to establish lending libraries, while the Education Act of 1870 expanded literacy. These two moments connected the desire for civic pride to the equally strong desire to educate the working classes, and to encourage their leisure time to be both clean and moral. Libraries represented civility and the pursuit of knowledge for social advance, and for its own sake.

What has changed? Why are libraries no longer seen as crucial to the social fabric, and therefore not worthy of investment? Why have there been such massive cuts to library budgets since 2010? 

Leaving aside the social indifference of successive Tory governments, and the wholesale impoverishment of institutions and structures that represent collective interest (the NHS, state schools, care homes), there is no longer any definitive sense of what kind of knowledge matters. In the age of Trump there has been a movement away from intellectual reason towards primitive impulse; we might argue that this precondition allowed Trump's rise, rather than being a direct result of his presidency. 

But there are other reasons too, including a lack of financial investment and support. Part of the reason why libraries are supposedly in decline is the growth of digitisation. More resources online, it is argued, provides better access than outdated buildings, with limited books; it also eliminates the problems of access: geographical, economic, physical. But not everyone has access to reliable internet resources. Books and papers and physical objects are critically needed in countries with dodgy internet connections and limited electricity. 

Besides, libraries are not just spaces to hold books. They are filled with insightful librarians and curators, who can link you to the source that you need (and even borrow it from other libraries); perhaps not as quickly as Google, but certainly with more humanity.

As a girl growing up in rural Wales, the weekly visit across the border to Shropshire town of Oswestry and its library, gave me hope. Searching the shelves, feeling limitless as my gaze drifted from Mills and Boon to Shakespeare, from Dryden’s poetry to local history, there were options available to me. Potential and places that reached beyond the narrowness of the shelves and the chlorine smell of the nearby municipal pool.

Oswestry Library
As a lonely child with a difficult family life, I treasured those moments of escape. I loved everything about the routine: the piling up of six books - SIX! - with their tattered and grubby plastic covers, cherry-picked from a dozen different shelves; queuing for the librarian; smiling as she expressed interest (or sometimes shock) in what I was choosing; watching as she flicked through the pages to find the sweet spot and oh the muffled clunk of the date stamp, those were physical moments of bliss. 

Carrying that stack home, holding it on my lap as a shield that protected me from the inevitable arguments of the car that backfired, squirrelling it up in my room where I could smell the pages and look at all the different people who had borrowed each book before me - or the joy of being the one single stamp of newness - was a special kind of bliss. I belonged to a community of readers who stretched beyond the narrow, sad confines of my bedroom. 

And for me that is the point. Libraries are far more than buildings to hold books. They are pivots of connections between individuals and the world outside; not only in the date stamps that nestle aside one another, but also in a more literal, physical way. Libraries are spaces where anyone can go, to browse, to sit, to read the newspapers they can't afford to buy, to keep warm, to think, to meet other people. And in an age of loneliness this collective, free-to-use space is crucially important, and critically endangered. 

Books bring people together, literally, figuratively, physically. When we imagine that libraries aren’t needed, and we allow governments to shut them down on the basis they aren’t viable, or God forbid necessary, we toe a line of individualism that weakens society as a whole. 

I don’t use libraries like I did when I was a child, though half the adult population do. I did try, when my own children were younger, and the weekly run to the library to perform those rituals of choosing, carrying, stamping (and inevitably mislaying) are treasured moments of motherhood for me. The moments of drawn out time are a distant memory for me - and no doubt for many, caught up in our technologically driven, imperative age where every second counts, and Amazon Prime has a same day delivery option. 

The depressing thing about libraries closing down is that lack of use becomes a self-fulfilling prophecy; an ideological sleight of hand by which cut backs appear justified. Deprive public libraries of millions of pounds to buy resources, to fund decent opening hours and enough staff, and people inevitably spend less time there. Create a narrative of decline and obsolescence and libraries become - especially the local, public libraries that sustained me as a child, redefined as an unnecessary and unsustainable expense. 

Communities need libraries. Like they need hospitals and schools and roads and utilities. Libraries are spaces of learning and information, yes, but they are also spaces of acceptance and belonging and engagement in ways that are neglected in the 21st century. Many libraries are changing to adapt to the needs of their users; some have knitting circles and board game groups, tea mornings and yoga alongside Harry Potter and Pride and Prejudice. And adaptation may be key to this survival. But don't let people say libraries don't matter. They have never mattered more. 

My new book, A Biography of Loneliness will be published in Spring 2019 by Oxford University Press. 

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A Historical Fiction Writer's Reading Week

by Deborah Swift


Like most writers I'm a prolific reader. This week I took a look at my reading pattern to see what I read, and how much I read, and whether this has changed over the last few years.

When I had my first book published in 2010 nearly all my reading was in paperback or hardback. At the Historical Novelists Conference in that same year, someone showed me the Kindle. Fascinated, yet also baffled, by this new technology I bought one. I still have the same ancient model and do most of my digital reading on that machine. I often use it when travelling on public transport or when on holiday, and I use it to carry some research books I can't do without.

Digital -- Kindle

This week on the Kindle I have been reading a historical novel recommended to me by a friend of a friend. The book had been self-published for a short while but failed to find an audience, and the author had withdrawn it from sale. What did I think? Would I read it and give an opinion? My heart sank. I get many of these requests and although the friend said it was a 'brilliant' book, I'd been burnt by this before and found myself spending precious reading time wading through a book that should be confined to a bottom drawer.

But joy of joys! This was a gem. Well-written; unusual history, set in a little-known time and location. I found myself burning with enthusiasm for the book and wondering how on earth I could get it better known. Then realising; I can't even get my own books better known, let alone someone else's. Still, I'm working on it, and can at least send word out to everyone I know. The Lacemaker by Sukey Hughes, if anyone out there is listening.

Also read on the Kindle this week, 'The Illumination of Ursula Flight' by Anna-Marie Crowhurst. I'm writing a book about Mary Knepp, an actress in Restoration London, and this book sounded worryingly close to what I was writing. Curious, and slightly aggrieved at someone poaching my territory (I know, that's ridiculous) I dived in. Phew. Not like my book at all, but great to see the world I was writing about through another writer's eyes. I constantly find myself veering between wanting to read things set in 'my own era' and being terrified of being influenced by them. And I am constantly humbled by other people's writing skills. A highly recommended read.

The other book I've been reading on Kindle this week is my own. I often send my own books to Kindle as then I can spot errors more easily, and read it as a digital reader might. The book sits differently on the page in kindle format. I'm aware that many readers have abandoned paper altogether and read on their phones, but I'm not one of them. And this is something people often forget, that reading your own work takes just as long as reading someone else's  -- that as well as writing the darned things, we have to actually read them too. If I become engrossed in my own book and forget to take notes, then that's a good sign. Historical fiction never seems to be short, does it? All three of these books amounted to over 1000 pages!

Digital -- The PC
I read a lot of research documents on the PC -- Gutenberg Library Texts, papers from various universities, and relevant passages from Google book searches. I can't pretend I don't use Wikipedia - it's excellent for getting a quick overview of what I need to know.  Last week I was reading Broken Boundaries; Women and Feminism in Restoration Drama from the University of Kentucky. I am a great Googler and search for relevant papers that might help my current novel - at the moment it's papers on Restoration Drama and The Fire of London; I'm researching these for the third in my trilogy about Pepys' Women.


Hardback
My research books are in hardback if I can get them. Here's the current pile of books I'm dipping in and out of.  Over the last few years in what I'm calling my 'Pepys Period' I've used them so much that most of them have been read cover to cover. Of course there are paperbacks in there too, but I hate research books on Kindle; they're just too difficult to bookmark or navigate, and real books are much easier to find on my desk. Also there's something very satisfying about research in solid form. I've read quite a few excerpts from these books in the past week whilst fact-checking my novel. I occasionally buy fiction in hardback, but only as a gift for someone else. My groaning shelves wouldn't support it! One of my most interesting research books this week was "And So To Bed" A Comedy by J B Fagan, a play first published in 1926 about Samuel Pepys and his wife, and featuring Charles II.  A very enjoyable light-hearted romp. My edition was from AbeBooks, who do out of print editions by post.

Paperback
I love Twitter and it has persuaded me to buy quite a few books, many by indie writers. Some authors I see frequently online are never in bookstores, and some authors I see frequently in bookstores have no online presence. I only have a few paperbacks by indie authors, because most I buy on Kindle. I still buy full-price paperback fiction from bookshops because I enjoy to browse there. The House Between Tides by Sarah Maine came from my local bookshop, Carnforth Books, and it attracted me because it's set in The Outer Hebrides in Scotland, a wild and nartural place, and the title appealed to me. It's a Victorian/present day dual narrative, and I'm nearly at the end of it, and really enjoying the atmosphere the writer creates. This has been my bedtime reading. I had never heard of the author, but I'm glad I took the risk as the book is gripping and well-written. The local bookshop does a good job of curating the stock so that there are big-name authors but also debut novelists on the shelves.


Coffee time reading
I love my Historical Novel Society Magazine and often read it cover to cover. Mine arrived a couple of days ago, and it helps to keep me in touch with the industry, with what other people are writing, and with what is 'hot' in historical fiction. I spotted a couple of books in there that will be on my reading list for the near future. I also get various other industry magazines such as The Society of Authors Magazine, and of course I read blog posts of authors who I know or have read, (like this blog) and articles from BBC History and Historia Magazines online.

Books and Time
When I added up my reading for this week, it seemed enormous. And this is a typical week. I read far more than I did before I was a writer, and I used to be a bookworm then. Whenever I'm not writing I seem to be reading, and now we are so wired up to our digital machines, I'm reading more or less constantly. The digital world has broadened my reading in one way, but also made some of my reading feel rushed. I try not to skim, but I'm aware that I often do, and that this doesn't give time and attention to the person who has devoted time to writing it. We are all drowning in content, but it is only really with a novel that I can savour the content and immerse myself in what I'm reading.

As a historical fiction writer I find I am actually spending far more time reading than actually writing. Reading used to be something where I had to set aside a quiet time and space and buy or borrow a physical book. Now I have several documents open on my PC all the time and can flip from one to the other. And it's delicious, to someone who loves reading, to have unlimited access to so much stuff -- and so much of it with free access. But I also feel its dangerous side, that it could become an addiction.

I remember complaining to my mother, 'I've nothing to read!' and having to save my pocket money for my next book. Those hard choices, are gone. Those spaces, where the mind is free of a book, are also precious. I'm learning to build those spaces in, to clear the palate.

How do you read? What do you read? Are you a Kindle fan or a paperback reader? How do you prioritise your reading time?

Do feel free to find me on Twitter @swiftstory or on my website www.deborahswift.com