Showing posts with label Karen Maitland. Show all posts
Showing posts with label Karen Maitland. Show all posts

'The American POW's Who Built A Church In England' by Karen Maitland


St Michael and All Angels, Princetown, Dartmoor
Photographer: Theroadislong
Situated 436 metres above sea level, St Michael and All Angels in Princetown, Devon is one of the highest locations for a church in the country. But it is also unique in being the only church in England to have been constructed by American prisoners of war. Most British people know that Napoleonic prisoners were incarcerated in England, but we often forget that American POWs were also imprisoned in England at the beginning of the 19th century.

The granite church sits on the top of windswept and wild Dartmoor, close to the notorious Dartmoor Prison. The building of the church began in 1812, by French prisoners and was completed in 1815 by American POWs. The prisoners had to quarry the hard stone in all weathers, summer and winter, shape them and then transport the great blocks to the site, before each piece could be hoisted in place.

During the war of 1812 between Britain and America, which lasted 32 months, many American prisoners of war were captured during sea-battles They were initially held on the prison ships in Plymouth, ironically, where the Pilgrim Fathers had sailed from, but after riots on board, the authorities decided to move them to the remote and grim prison at Princetown on Dartmoor. In groups of 250, they were marched a gruelling 17 miles up onto the moors, to Princetown, often swathed in mist and rain, surrounded by forbidding tors and deadly sucking mires.
Dartmoor Prison in the Mist
Photographer: Rob Purvis


The prison had been built between 1806-1809 to house 10,000 men. Between 1809 and 1812, 8,000 Napoleonic prisoners had passed through it’s gates, and 6,500 US sailors were imprisoned there in the years between 1813-1815. Conditions were bleak and harsh, with frequent floggings, though these were often ordered by the prisoners’ own courts. But in contrast, there are reports of music and plays being performed by the prisoners. Sadly, more than 280 Americans died in prison from food poisoning, measles, pneumonia and small pox. The stained-glass east window in the church was eventually installed as a memorial to them.

Perez Drinkwater, from Maine, a lieutenant on the schooner Lucy, was captured by the British Navy in 1813. He wrote to his brother in 1814, one of the few letters ever to make it out of Dartmoor Prison.
'We arrived in Plymouth on 20th January was put on board the prison-ship Brave on 24th and landed from her on 31st and marched to this place in a snow storm. The prison is situated on one of the highest places in England and it either snows or rains the whole year round and is cold enough to wear a great coat the whole time. There is 10,000 men here now but the French are about going home … we have but 1lb and a half of black bread and about 3 ounces of beef and a little beef tea to drink and all that makes us one meal a day.
Interior of St Michael's Church with the British, American 
and French Flags.


He also complains about getting little peace between the ‘Englishmen’ and ‘creepers’ (lice and bedbugs) which force them up in the mornings. What seems to have been worse for him is that he had nothing to do or think about except his imprisonment. Working on the church, for some of the prisoners at least, must have at least got them outside those high walls for a few precious hours.

At the end of the war in 1815, there was a delay of some months in releasing and repatriating the prisoners. That and food shortages, led to what some reports called a ‘protest’, others called an ‘uprising’ or ‘riot,’ which was quelled with armed forced. Tragically, seven American prisoners were shot dead and somewhere between 31 and 60 were wounded according to differing accounts.
Some of the small granite stones
marking graves of prisoners 
after 1900.


The churchyard of St Michael's contains over 1,000 burials. When Dartmoor prison was reopened for convicts in 1850, prisoners were buried anonymously in their own area in the churchyard and without a grave marker, unless their families could pay for one. Now, thanks to local researchers their names and history are recorded inside the church. By 1900’s, prisoners were allowed a small granite marker with just their initials and date of death, though when I examined these rows of little stones, even these scant details seem largely unreadable now. There is, however, a large granite cross, with an arrow on each corner, carved by the prisoners themselves to remember all their fellow inmates who lie in unmarked graves.

But it was not just prisoners who had no grave stones. A large empty area between the gates and the cross is where the local people are buried who could not afford a stone, especially during the measles and typhoid epidemic in which some families in Princetown lost several of their children, siblings dying within days or even hours of each other. 

I visited the church just before Armistice day, when like so many across the country, it had been decorated with the transparent outlines of soldiers in the pews. Somehow, these ghostly figures seemed even more poignant inside St Michael’s one of England’s most stark but haunting churches, a moving memorial to the French and Americans POWs who created it.
Poppies and the transparent outline of the solider 
who never returned in the pew in St Michael's church.




'If blood is not drawn on Martinmas Eve ...' by Karen Maitland

St Martin renounces his weapons.
Artist: Simone Martini (1284-1344)
This week is the feast of Martinmas which begins on the evening of the 10th November. It is a festival, like many Christian celebrations, whose origins go back centuries before Christ. 

Martin of Tours (c.316-397), a Roman solider who later became a monk and bishop, was a favourite saint of the Middle Ages. But the date had long been marked as the first day of winter and when, Pope Martin I (papacy 649- 655) established Martinmas as important Church festival, he may have been trying to wean pagan northern Europeans from the winter celebrations associated with the old gods. Bede (c. 672-735) records that the Anglo-Saxon term for November was Blot Monath, or ‘Sacrifice Month,’ when they slaughtered livestock which could not be kept over winter, but also, according to Bede, ‘in this month the cattle which were to be slaughtered were dedicated to the gods.’

Martinmas quickly became established in the Christian calendar as the day when the work of killing and preserving of meat for winter began, and the community feasted before the 40 days of St Martin’s Lent or Advent. In Shakespeare’s Henry IV Part 2, Falstaff, is referred to as ‘the martlemas’. The Martlemas’ or ‘Mart’ was an ox or a bull that was fattened and slaughtered for the Martinmas feast. In some towns and villages, the bull would first be run through the streets.
'Falstaff'' by Edward Von Grutzner 91846-1925)


Writing in 1646, Richard Butcher described the running of the martlemas in Stamford, Lincolnshire. The butchers provided the town with the wildest bull they could buy. The bull was released and the townspeople gave chase, trying to kill it with wooden clubs. Iron weapons were forbidden. The bull was then roasted and eaten, washed down with plenty of strong drink, for St Martin was also patron saint of wine growers and protector of the inebriated.

The legend behind the bull running, which was probably derived from a pre-Christian custom, was that St Martin had encountered a wild cow possessed by the devil which he had exorcized. Of course, it is likely that this tale was created to explain why it was auspicious to begin the slaughter of livestock on this day. Pigs were also butchered and gifts of sausages and black puddings at Martinmas were known as ‘pig cheer’. Fixing a seasonal activity like ploughing, sowing or slaughter to a well-known saints’ day ensured the vital task was blessed and protected by that saint. It also helped to co-ordinate community life, so that everyone in village knew exactly when it would begin, and equipment could be made ready.

But the very act of shedding blood was an important aspect of the festival. In Ireland it was said that ‘if blood is not drawn on Martinmas eve, the blood that is shed will be your own.’ In Scotland and Ireland, a fowl or goose had its neck cut on Martinmas eve and was allowed to bleed out. Its blood was daubed on the four corners of the house, or on lintels, doorsteps or doors, and was sometimes put on the foreheads of children, with the words, ‘I am killing this in honour of St Martin, and that he might keep trouble away from the house for the year.' 

Right up to the end of 19th century there are reports of this being done to ward off the spirits of the dead who couldn’t find rest. If the family had no animal, someone would cut their own finger instead. A piece of cloth was also dipped Martinmas blood, dried and used in the coming year to press on the body to relieve pain while a prayer or charm was recited.

There are several different versions of how St Martin met his death which in the Middle Ages gave rise to a number of superstitions connected with the festival. In one version, the saint plunged into a millpond and was killed by the turning waterwheel, and for many centuries it was considered unlucky to carry out any work that involved turning or grinding on this day. This meant people didn’t grind flour, spin wool or put to sea to fish because the boat would have to turn to come back. 

An account published in 1867, tells of some Wexford fishmen who spotted a great shoal of herring offshore on St Martin’s Eve and foolishly put to sea. The ghostly figure of St Martin rose from the waves and pointed thrice to the shore, before sinking again. Two boats heeded the saint’s warning, cut their nests loose and returned immediately. The others continued to haul in the huge catch, but a violent storm sprang up, their boats overturned and 70 men drowned.
'The Fishing Boat' by Gustave Courbet, 1865

One of St Martin’s symbols is a goose, because it was believed he was tricked into becoming bishop and tried to escape this office by hiding in a barn, but a honking goose gave him away. So, a goose was traditionally eaten at his feast, and the wishbone kept. In 1455, the physician, Johannes Hartlieb, wrote -
'When the goose has been eaten on St Martin's Day the oldest and wisest keeps the breast-bone and, allowing it to dry until the morning, examines it all around, in front, behind and in the middle. Thereby they divine whether the winter will be severe or mild, dry or wet, and are so confident in their prediction that they will wager their goods and chattels on its accuracy.’
On the Aran Islands, west of Ireland, there was a legend that St Martin begged for food at the door of a woman who was so poor she had nothing to give him, so she sacrificed her child and boiled the infant to provide meat. But after he left, the child was found miraculously asleep in its crib. Families on the islands used to slaughter an animal on Martinmas in memory of this miracle, and anyone who came begging at their doors on St Martin’s Day was offered roast fowl or goose.
St Martin and a goose on 
St Martin Busskirch in Jona, Obersee, 
Switzerland. Photographer: Roland zh


In Germany and Holland, the festival had been traditionally celebrated with bonfires on Martinmas Eve and with lantern parades led by ‘St Martin’ on horseback. But the Reformation in 16th century meant that in Protestant countries, Catholic saints could no longer be celebrated. But recognising they could not supress such a popular festival, the ‘Martin’ who was celebrated on ‘Martin’s Day’ became instead, Martin Luther, the German founder of the Protestantism who was born on November 10, 1483 and, according to legend, was baptized on the 11th November.

The final twist in this blood-drenched festival was that the 11th November 1918, was the date chosen for the guns to fall silent at the end of World War I – the day dedicated to the saint who was a solider in the mighty Roman army and who laid down his weapons, declaring he would fight no more.
Lantern Parade, St Martin's Day 2016
Huisberden, Germany
Photographer: Pieter Delicoat







'He Loves You like Salt' by Karen Maitland


What do a Medieval dove cote, a Regency rolling pin and the Victorian novelist Charles Dickens have in common? The answer is salt.
Medieval Dove Cote, Llantwit Manor, 
Belonged to the Abbey of Tewkesbury
Photographer: Peter Wasp

Let’s start with the dove cote. My latest medieval thriller is set in 1316, during the time of the great famine which ravaged Europe from Russia down to southern Italy from 1315 to 1317. Extreme cold, wet weather caused widespread crop failure and outbreaks of ergot poisoning due to mouldy grain. Thousands of people died. The death of livestock due to starvation and cold was particular catastrophic for families, because the weather conditions had caused an extreme shortage of another vital commodity in Medieval society – salt.

If the animals died or had to be slaughtered because they were starving, the precious meat which might have saved human lives couldn’t be preserved without salt. As the French proverb wisely says - 'Don't slaughter more pigs than you can salt.' But they had little choice. 

First there was the problem of producing the salt itself. The salt pans along the coast were filled with rain or washed away by floods and even where they were intact, in order to produce salt, sea-sand and silt had to be washed and the resultant brine boiled in lead pans over peat fires to allow the salt crystalize out. But the peat used to boil the brine required weeks of sun to dry before it could be burned, as did wood. The lack of salt also badly affected leather tanning and cloth-dying, both vital industries in producing everyday goods. Many lost their jobs.
Laos. Boiling brine to make salt in the medieval tradition.
Photographer: BigBrotherMouse

Even the wealthy households and monasteries began to run out of the precious commodity, which soon cost a king’s ransom. They are tales of people trying to recover the salt from the most unsavoury sources, such as animal salt licks in the byres and salt cats from pigeon or dove cotes. 

Salt cats for dove cotes were made in the salt-works, using brine-soaked clay mixed with salt and a little saltpetre. After it had baked hard in the sun or near a fire, the cat was placed in the dove cote on short blocks to raise it off the damp floor for the birds to peck. Even though they were covered in bird dung, those dove cotes that still had them were raided by those desperate to try an extract the salt from the cats for preserving food or simply because they needed salt which is so necessary in the diet. It is believed that one of reasons so many of Napoleon’s troops died on the retreat from Moscow was a salt deficiency which made them more susceptible to diseases and wound inflictions.
American Salt Box circa 1850.
Gift of Mrs Robert W. Forest, 1933
Metropolitan Museum of Art

But the three years of wet weather did more than limit the product of salt, it also meant that what salt you had in store might simply dissolve and trickle away. If you own a salt candle today or even have salt in a cardboard packet in a cupboard you know how easily it turns to liquid even in a mildly damp atmosphere. So, a wooden or clay salt box has been a very important little item in most homes for generations. The salt box was hung against a warm chimney breast or on a wall near a stove to keep the salt dry in the damp winter chill. Earthenware salt pigs did the same job, with the unglazed interior absorbing the moisture.

Salt hung in the house, often alongside phials of holy water or charms, was also considered to purify and protect the house from evil, and a salt box hung near the chimney would ensure witches and evil spirits couldn’t enter the home that way. It was also handy in case anyone unwittingly said or did anything that might bring a curse on house or any family member. A pinch of salt quickly dashed onto the fire would hopeful negate the curse before any harm could be done.
Glass Rolling Pin. 1820-1837
Auckland War Memorial Museum 


One very attractive way of keeping salt dry was the glass rolling pin. Towards the end of the 18th century, glass blowers in Britain began to make hollow glass rolling pins, which were cheap to produce and were made in works centred around ports where there was a ready supply of coal for the glass furnaces. They became popular among sailors as gifts for mothers, wives and girlfriends, and they would personalise them by painting them with images of their ships, flowers, messages and names. Then they would fill the rolling pin with things they had bought in foreign ports such as spices, cocoa or salt. Salt was heavily taxed in England at this time which made it expensive for poorer families, and this was a good way of smuggling in cheap salt as gifts for family or friends, in the same spirit that some people today try to sneak in duty-free cigarettes for their mates. Cords were attached to the knobs of the rolling pin at either end so that it could be hung in a warm spot in the kitchen to keep the salt dry. In time the idea spread inland and glass rolling pins filled with salt became a popular and ‘lucky’ wedding present to give the bride.
English Salt Box
Auckland War Memorial Museum


As salt was valuable, having salt in a box on the wall or hung in a rolling pin, where a guest might help themselves was regarded as sign of hospitality and in ‘Master Humphries Clock’ (1840-41) Charles Dickens used a description of a house where the salt box was kept locked as a way of showing misery of the home and the meanness of the owner.


Karen Maitland's latest medieval thriller 'A Gathering of Ghosts' is published by Headline.

'A Plague of Mosquitoes on Your House' by Karen Maitland

'Mosquitoes liked the Costume' from Bill Nyer's 
History of the United States, 1894
One of the unexpected consequences of the summer’s heatwave this year was the huge reduction in Lapland’s mosquito population. A great relief for humans, since their mosquitoes have a reputation of being some of the most numerous and vicious in the world, but not so good for the birds, amphibians, fish and dragonflies which depend upon them.

But the heatwave seemed to have the reverse effect in England, because sitting with my office door open to try to get some relief from the heat, I was bitten numerous times by gnats and mosquitoes breeding in the water-butts and pond outside.

The news about Lapland reminded me of an old folktale I heard as a child which involved mosquitoes. Throughout Medieval Europe, Lapland was both admired for having the most skillful silversmiths and feared for having the most dangerous warlocks or sorcerers. The story goes that a Lapland sorcerer had the ambition of marrying his son to the daughter of one of the great kings of Europe. But his son, a peaceful herder, wanted to wed an ordinary girl who could do practical things like milk the reindeer. The sorcerer refused to listen. He changed himself into an owl, flew over the sea and abducted the beautiful princess, but she indignantly refused to consent to the marriage. So, he starved her to force her into submission. But the boy thwarted his father by smuggling reindeer milk to the princess.
Lapland Owl, also known as the Great Grey Owl or
the Spectral Owl.
Photo: Steve Wilson

Discovering she was still defiant, the sorcerer imprisoned the princess in a cave, but before sealing the entrance, he let in a great swarm of Lapland mosquitoes, thinking that after she'd been tormented by hundreds of bites she would soon become biddable. But the boy managed to smuggle some turpentine to the princess. She rubbed it on her skin and it prevented the mosquitoes from biting her, so she emerged, unscathed, to face the sorcerer’s third and most deadly ordeal.

Thinking about this tale, reminded me that while we are very aware of the insects that bred in medieval homes such as moths, weevils, lice and fleas, we sometimes overlook the mosquito problem. The numerous open sewers and puddles of stagnant water lying in city streets, the many ponds, ditches and undrained marshlands in the country were ideal breeding grounds for mosquitoes, which must have driven people mad in the summer months. Of course, there were many more natural predators around then. Ponds were usually well stocked with fish that fed on the larvae, and birds and dragonflies devoured the adults. There were also several periods of cold, wet summers which limited insect numbers, but there were also years of hot weather too. 

Culex Mosquito female
Photo: Alan R. Walker

And right up until the 19th century, mosquitoes in England and Europe didn’t merely cause annoyance with their itchy bites, the marshlands were rife with malaria, known variously as the Ague, Marsh Fever or by Shakespeare’s time ‘quotidian tertian’, a fever which recurs in a cycle, which caused poor old Falstaff to shake and burn in Henry V. The links between mosquitoes and malaria were not understood until the 1880’s and in the Middle Ages and Tudor periods, the fever was generally ascribed to either drinking foul water or more commonly, breathing the bad air from cesspits or the miasmas of the marshes. Many people living in the marshlands in Norfolk and Suffolk became addicted to the juice and seeds of the white marsh poppy, which they used to try to alleviate the symptoms.

1905 illustration from a book of American Folktales
But even though they did not fully realise the danger, imagine squatting over a hole above a cesspit or ditch in which clouds of mosquitoes were swarming, looking for a nice bare rump to bore into. So, what could they do? The strewing herbs on the floors and bunches of herbs hung in windows would have helped to ward off some. Rubbing the skin with ransoms (wild garlic) and salves made from pine resin was said to stop the creatures biting. Stringing horse hair across windows and beds was supposed to discourage them, though it isn’t entirely clear whether this created a physical barrier or it was ‘magical’ power of the horsehair itself, which was often woven into protective amulets. Hanging pots or sponges filled with sharp vinegar over your head and feet in bed was said to keep the insects at bay, and you could also use vinegar infused with herbs such as lavender, rosemary, rue, mint and wormwood. These herbs were often planted near windows and doors to act as mosquito deterrents and when dried, were burned on hearth fires or braziers to drive them away.
1646, Apothecary smoking his pipe
Artist: Adriaen van Ostade



The fact that cottages would have been constantly ‘fumigated’ by the smoke from cooking fires and tallow candles would have helped to deter mosquitoes from entering. In this respect, poorer people probably had the advantage. Being forced to burn bones, animal dung, and greener wood on open fires which produced a lot of smoke and stink, probably served them better in warding off insects than the wealthier people who could afford to burn dry seasoned wood and had chimneys to draw the smoke away. But once strong tobacco began to be imported, people swiftly discovered that smoking a pipeful was a good way of protecting themselves from gnats and mosquitoes. One of reasons, it became so popular.

As for me, next summer, I might be resorting to the good old turpentine. Unless you have a favourite deterrent?


'Sheepstor and the Rajahs of Sarawak' by Karen Maitland

Attribution: Gwy Jones/Sheepstor Village/CC BY-SA 2.0
One of my great delights is stumbling across unassuming little villages that hold unexpected historical secrets. One such is the remote Dartmoor village of Sheepstor. The strange stone carving over the door of St. Leonard’s church, which some say resembles a skull with ears of corn sprouting from the eye sockets, became the inspiration for my new historical thriller. But this remote Devon village has become place of pilgrimage not just for the medieval obsessives like me, but also for visitors from Sarawak, Malaysia. For this little village not only boasts a holy well, a beautiful reconstructed rood screen, two ancient stone crosses, the remains of a bull and bear baiting field, and a Pua Kumba, but also the tombs of three Rajahs of Sarawak.
Photo: Nilfanion. 
Carving over door of Sheepstor Church


The story of the Rajahs of Sarawak and Sheepstor is told on a plaque inside the church which seeks to cast a benevolent spin on a bizarre episode of history. According this, James Brooke was born in Bengal in 1803. Having been badly wounded in the Burma War of 1825, he was forced to resign from military service and spent his time travelling in the Far East. He bought a schooner and eventually sailed it to Singapore in 1839. There the Governor asked him to take gifts to Rajah Muda Hassim of Sarawak in North West Borneo, to thank him for the great kindness he had shown to shipwrecked British sailors.

Surveying the seventy miles of uncharted coast as he sailed, Brooke reached Sarawak and, though hospitably received, he found a country ravaged by rebellion and tribal wars and under constant attack from pirates. His experience meant he was able to offer advice and help to the local administrators who eventually asked him to stay on and become the Rajah. He served as Rajah for 22 years helping to prevent slavery and piracy and bring some measure of peace between warring tribes. He raised money to help the people using not only his own wealth but borrowing funds from Baroness Burdett-Coutts.
Photo: Nilfanion
Rood Screen in St Leonards Church, Sheepstor

He wrote – ‘Sarawak belongs to the Malays, the Sea Dayaks, the Land Dayaks, the Kayans and other tribes: not to us. It is for them we labour, not ourselves.’
Other accounts cast Brooke in role of arch- colonialist, and the alternative view of how Brooke came to be Sultan is rather more Machiavellian.The coastal region of Sarawak was under the control of the Brunei Sultanate, while in the interior of Sarawak the Iban, Kayan, and Kenyahs fought continual territorial battles. A rich seam of antimony had been discovered and the Brunei Sultanate demanded higher taxes from Sarawak, which had led to widespread rebellion.

In 1839, Sultan Omar Ali Saifuddin II ordered his uncle Pangeran Muda Hashim to restore order. Pangeran asked for James Brooke’s help. He initially refused, but agreed when he returned in 1841 and Pangeran signed a treaty surrendering Sarawak to Brooke as Governor. In 1843, Brooke attempted to get his ally, Pangeran, accepted as a member of the Brunei Court, more-or-less at gunpoint, but in 1945 they retaliated by having Pangeran assassinated. Brooke promptly attacked Kampong Ayer, the capital of Brunei. The Sultan of Brunei found himself compelled to apologise to Queen Victoria, confirm Brooke's possession of Sarawak and concede Brunei’s right to tribute on antimony mining rights. It was then in, 1846, that Brooke became the Rajah of Sarawak.


Tombs of the three Rajahs in Sheepstor, Devon. 
James Brooke's tomb (left) made of red polished granite

So, James Brooke, champion of Sarawak against the oppressive Sultanate of Brunei and the evils of slavery, or autocratic colonial adventurer? - the truth is seldom found in labels.

James Brooke retired in 1863 to England to live in the Dartmoor parish of Sheepstor and was buried there after his death in June 1868. His eldest nephew, Captain John Brook Johnson, was nominated by his uncle as Rajah Muda. But his uncle seems to have regretted his choice of heir and there is some suggestion that James banished his nephew from Sarawak. John died in England in the same year as his uncle.

In the meantime, John's younger brother, Charles Antoni Johnson, had taken leave from the navy in 1852 to help administer Sarawak and managed to win the trust of the people, which was not lightly given. He was appointed Rajah and ruled for nearly 50 years. He inherited a debt-ridden country, but in 1871, had managed to repay Baroness Burdett-Coutts the money she had lent to James. According the account in the church, other tribal groups in Borneo sought the protection of Sarawak, and in this way the territories were extended to 50,000 square miles. Though described even by his admirers, as ‘austere, direct,  and autocratic,’ Charles travelled constantly through Sarawak, engaging with the leaders of the different ethnic groups, and developing schools, medical facilities and trade. In 1888, Sarawak became a fully independent state under British Protection. Charles died in 1917, aged, 88.

His first three children had perished from cholera, but he had three further sons, the eldest of whom, Charles Vyner de Windt Brooke, became the Rajah after the death of his father in 1917, during the First World War. In 1941, at the centenary celebrations he announced his intention of renouncing the title and establishing a Constitution, but in December of that year Sarawak along with the rest of Borneo had been invaded by the Japanese.

The three tombs of the Rajahs can be found in the north-eastern corner of Sheepstor churchyard, incongruously facing the most English of rural scenes with sheep grazing on the hillside. James Brooke’s has the grandest tomb made from polished red Aberdeen granite, while the other two Rajahs' tombs are of local Dartmoor granite. The larger of the two took 11 horses to pull it to the churchyard.

Photo: Nilfanion
Pua Kumba presented to Sheepstor Church
Inside St Leonard’s church you’ll find a Pua Kumbu, or a ceremonial mat, given to Sheepstor Church by the people of Sarawak, and presented by Dr James Masing, the assistant minister of tourism when he visited the tombs on 7th of March 1996. A fascinating exhibition in the church explains that the Pua Kumbu acts as a ‘sacred space’ in ceremonies performed by the Iban tribe and for rites of passage. It is a place where the spirit world and the world of the living meet. Each Pua Kumbu is different and the unique designs are revealed in dreams or visions to groups of Iban women who have dedicated themselves to seeking great spirituality. 

The church also contains a memorial dedicated to the members of the Sarawak Civil Service who died in Japanese prisoner of war camps during WWII. Wonderful to find these men remembered so many miles from home in a tiny Devon village.

If you are travelling through the West Country, it is well worth taking a detour to visit Sheepstor, not least for the beautiful moorland setting and if you have time perhaps climb up to the tor behind the village whose granite rocks conceal a pixy cave or ‘knocking cave.’ And if you find that the village and church look familiar, that maybe because Steven Spielberg used Sheepstor for some of his location shots in the brilliant film War Horse.
Attribution: Guy Wareham/Sheepstor Cross/CC BY-SA 2.0


Karen Maitland's new medieval thriller, A Gathering of Ghosts, set on Dartmoor,  is published on 6th September 2018.

'Shucks, Barguests, Grims and Whisht Hounds' by Karen Maitland

Review of 'BLACK DOG FOLKLORE' by Mark Norman

I have long been captivated by the legends and folklore surrounding the spectral creature, the ‘black dog’, ever since some years ago in Nigeria when I was saved from being hacked to death with machetes by the appearance of a large black dog who protected me. I think that dog was real, at least he felt wonderfully warm and solid, though his sudden appearance at that terrifying moment certainly seemed miraculous.

But my fascination with the black dog legends goes back even before that when, as a small child, I huddled under the bedclothes, listening to the 'Hound of the Baskervilles' on a tiny radio, when I was supposed to be asleep. Since my new medieval thriller, 'A Gathering of Ghosts', is set on Dartmoor, how could I write about that wild landscape without mentioning the huge black whisht hounds with glowing eyes that hunt the moors, terrorising anyone foolish enough to find themselves on the lonely tracks after dark.

'Illustration from 'The Hound of the Baskervilles'
in The Strand Magazine, August 1901
So, in the light of this, I was delighted recently to discover a brilliant book called ‘BLACK DOG FOLKLORE’ by Mark Norman, who is leading folklore expert and researcher. This book is not merely a collection of legends. It is a scholarly, but immensely readable investigation into the origins of these tales though out history, how they are linked and how they have evolved to influence the way modern sightings are reported. The book also explores the symbolism of the black dog from ancient times and across many cultures.

Mark Norman has divided his book up into the different types of Black Dog in legend, delving into the possible explanations behind the particular black dog encounters. This includes the ghosts of black dogs which curiously in England often seem to be associated with the Civil War; dogs which are significant to certain families, appearing in the coats of arms or which have haunted the family through different generations; the protective black dogs which appear at times of danger to help lone humans; the terrifying shucks, padfoots and barguests with glowing eyes, which in legend are sometimes shape-shifting creatures. The author suggests the name shuck probably stems from the Anglo-Saxon Sceocca meaning ‘devil.’
'The Fiendish Black Dog
Artist: Vasilios Markousis, 2015

Then there are the legends of dogs that guard treasure or haunt certain roads or bridges. In many cultures around the world a dog appears as a guardian of the underworld, an ancient mythology which finds its way into tales such as Hans Christian Anderson’s fairy tale 'The Tinder Box', where the treasure rooms beneath a tree are guarded by three dogs, the first with eyes as big as teacups, the next with eyes as big as waterwheels and the third as big as round towers.

One of the earliest records of the spectral dogs in England comes from a late version of the Anglo Saxon Chronicle written after the Norman Conquest in 1154, which describes a sighting of what seems to be the ‘wild hunt’ in which the witnesses reported seeing huge huntsmen riding black horses or black he-goats accompanied by hounds that were ‘black, big-eyed and loathsome.’ By the twentieth century, people are reporting seeing these spectral dogs with ‘eyes as big as saucers’ or ‘dinner plates’.
Artist: Spettro84, 2008

One of the most compelling chapters is the one about ‘Church Grims’ and death. The author points out that in many cultures dogs are linked with death omens, not least because they seem to have an uncanny ability to sense when a loved member of the family is dying and will start to howl. In Islam, for example, they are said to be able to see Azrael, the Angel of Death, approaching.
1577, An account of the Black Dog
that appeared in Bungay, Suffolk

This book covers much more than simply the legends of black dogs. The author examines many aspects of folk customs involving dogs, including the practise of burying dogs in the foundations of buildings to protect them, which is found as far back as the 13th century BCE in Greece, and the custom of burying a dog in a newly opened graveyard. I have found reports of this continuing right up until the 19th century in England, the explanation being given  by then was that the spirit of the first creature buried there would be compelled to protect the graveyard, so not wanting to condemn any person in the village to that fate, a dog was put in the ground first.

The author of this book also debunks several black dog myths. When I first moved to Devon, I longed to live the village called Black Dog, wrongly assuming that was haunted by one of these supernatural hounds, but it appears that place names should be treated with caution, because though there are legends of the black dog in the surrounding area, old maps record the village as Black Boy. Nothing to do with the hound.

Like many people, I was familiar with the legend of the foul monstrous dog that was supposed to haunt the Newgate prison, but it seems there were never any actual sightings of this dog and the whole fiction was based on a pamphlet of 1638 with that title which was actually denouncing the prison conditions. A poem, written in 1596, by Luke Hutton, who had been a prisoner in the infamous prison used the phrase as a symbol for the despair felt by the prisoners. Interesting then that Winston Churchill should adopt the term ‘black dog’ to refer to his own bouts of dark depression.
From the pamphlet 'The Discovery of a London Monster
Called the black dog of Newgate. 1638

Finally, if you want to discover if there has ever been a record of a ghostly black dog where you are staying, the book ends with a comprehensive listing of the black dog sightings in Britain, Ireland and the Channel Islands. It’s always worth checking before you go for that romantic midnight stroll!

'Black Dog Folklore' by Mark Norman is published by Troy Books, 2016.

Karen Maitland's new medieval thriller, ‘A Gathering of Ghosts’ is published by Headline, September 2018.



'Rain, Rain, Go Away ...' by Karen Maitland

Norman priest's door at Church of St. Medard & St Gildard
Little Bytham, Lincolnshire. The two birds on either side of
the niche are probably the eagle of St Medard whose image
may once have occupied the niche.
Photographer: Simon Garbutt
"Raine, raine go away, 
Come againe a Saterday."
A children's rhyme, which I remember chanting in the playground, but which was recorded as early as 1687 by John Aubrey, who commented then that it was probably a charm of 'Great Antiquity.'

Today, 8th June, is one of those days of the year when we should all pay close attention to whether the rain stays or goes, especially those of us who live in France or England, because this is St Medardus or St Medard’s Day, and similar weather lore is connected to this saint as to St Swithin’s Day which falls on 15th July.
"Quand il pleut à la Saint-Médard, il pleut quarante jours plus tard."
(If it rains on St Medard’s' Day, it rains for forty days more.)

In England the saying was - "St Medard drops drop for forty days." But another version ran - "On St Medard’s day it rains six weeks before or six weeks after."

St Medard (456–545) was the Bishop of Vermandois. He was invoked for protection against bad weather, but he was also a saint that medieval people prayed to when they needed rain. He was a particularly pious child and legend has it that Medard was shielded from the rain by an eagle who spread its wings to shelter him, so the saint is also protector of those who work outdoors. A useful saint for the farmers and gardeners amongst us.

Martyrdom of St Barnabas
Medard was often depicted laughing with his mouth open, and for this reason was invoked against toothache. But he did seem to be regarded in the Middle Ages as a saint with a slightly malicious sense of humour, for another old piece of weather lore concerns him and St Faustus whose feast day falls tomorrow, 9th June.
“St Faustus said to St Medard, Barnabas and Vitus are my neighbours and together we will give the country folk a good washing till Frederick the Hollander comes and closes the doors of heaven.”

St Barnabas’ feast was celebrated on the 11th June and St Vitus on 15th June. But the feast day ‘Frederick the Hollander’, who would bring an end to the deluge, wasn’t until 18th July.

Better known as St Frederick, patron saint of the deaf, Frederick was born in 780, and became Bishop of Utrecht. He was stabbed to death by two assassins after mass on 18th July around the year 838, though sources are not agreed about the precise year. It was claimed by his hagiographers that his murderers were in the pay of Empress Judith of Bavaria, because he accused her of immorality, though there is no evidence that she was particularly immoral, or that he had accused of such. Others claim his killers were hired by the citizens of Walcheren who hated missionaries.

Frederick of Utrecht impaled by two daggers.
1650, Cornelius Visscher
There seems no obvious link in his hagiography to closing the door of heaven and stopping it raining, except that the bishop composed a popular prayer to the Holy Trinity, which was widely used through the Middle Ages, and the Holy Trinity was frequently invoked in Saxon and medieval weather charms. But more likely it was simply an observation that the weather usually improved around the middle of the July and St Frederick’s feast day was one ordinary people could remember.

But if the thought of six weeks of rain depresses you, there is one ray of sunshine - it was said that if the weather changes on the feast of St Barnabas (11th June), then it will be fair for 40 days.
On St Barnabas put the scythe to the grass. Barnabas bright – the longest day and shortest night.”

Of course, in the Middle Ages, as now, rain could be both welcome or dreaded depending on how much had or hadn’t fallen. But if any rain fell on Ascension Day it was always considered a 'blessing from heaven.' Clean bowls and pails would be put out in the open to collect any rain which fell straight from the sky, rather than trickling from a roof or tree. It would then be stored to be used as a cure for many ailments, especially for eye problems. Sometimes parsley would be added to Ascension water which would be used to washed a baby’s eyes daily to strengthen its sight. As late as 1927, Ascension rain was caught and bottled in the village of Elmley Castle, Worcestershire. In Lincolnshire these healing properties were ascribed to rain that fell anytime in June, and while in Wales, babies washed in this water would be early talkers.
Village of Elmley Castle, painted in 1912

Rain was considered a bad omen at a wedding and a good omen at the funeral.
"Happy is the bride that the sun shines on.
Happy is the corpse that the rain rains on." 

Mourners believed that if rain fell on the coffin or the corpse, it was sign the decease's soul would soon be received into heaven.

In the Middle Ages, if there was a drought various charms were used to try to call rain down. Most have an origin in sympathetic magic or perhaps vestiges of offerings once made to local deities or spirits, such as sprinkling water on certain stones. In Tarn Dulyn, Mount Snowdon, water was thrown at the furthest stepping stone, which known as the 'Red Altar'. Hurling flour into a spring then stirring the water with a hazel-rod was said to produce a mist that would rise and form a cloud. Ferns of all kinds were associated with thunder and lightning and so widely-held was the belief that burning ferns would make it rain that in 1636, Lord Pembroke is reputed to have asked the High Sherriff of Staffordshire to ensure that no fern should be burnt during the visit of Charles I, so that the king would not be inconvenienced by a down-pour.
Snowdon from Capel Curig 
Phillip James de Loutherbourg, 1787
Yale Centre for British Art

But I’ll end with one of my favourite weather sayings that if it rains on the feast day of St Mary Magdalen on the 22nd July it is said she is washing her kerchief so that she can dance at the fair of her cousin St James on 25th July.